The PBS Antiques Roadshow Part 2: Behind the Curtain

Last week I posted The Antiques Roadshow Part 1: We’re Off to See the Appraisers! . . . Please click here if you wish to read or reread it before proceeding to Part 2.

Pay Attention to That Crowd Behind the Curtain:

As the volunteer escorted my group of 10 people through the curtain opening, I saw rectangular folding tables in a wide octagon shaped arrangement and a central blue carpeted area with a table, 2 chairs, and a large camera for filming. Huge signs matching the category tickets (jewelry, watches, etc.) hung on the curtains behind the tables. Several appraisers sat at each table with their backs to the curtains and their name cards along the front edge of their section.

While I waited for my turn with a jewelry appraiser, I noticed that no one was being filmed, my friend Linda wasn’t at the watch table, and that most of the appraisals were much faster than the televised ones. (TIPS: Since time and table space are limited, make sure you have your tickets, items, pen, paper, research information, and questions organized and ready for the appraisers.)

The Wonderful Appraiser of AR*:
(*Antiques Roadshow)

The lovely Victoria Bratberg, the Director of Skinner’s Fine Jewelry Department, appraised my 2 collections in a friendly, efficient manner and complimented the pieces. (TIPS: Relax, smile, introduce yourself, and write down the name of your appraisers. You can look them up in the free event guide later.)

Victoria Bratberg ©2014 PBS.org

The Jewelry Appraisals (Alas, No Rubies or Ruby Slippers):

allthree
The bracelet collection pictured above spanned a 20-year period of different styles, so I wanted information about the materials and values. My father gave bracelet 1 (left) to my mother after their elopement. Since it was paste 1940’s costume jewelry and didn’t contain any precious metals or gems, Victoria recommended I have the loose ruby-like stones re-glued in the bracelet and enjoy wearing it. The 1960’s hand-carved wooden bracelet 2 (top center) purchased in Austin, Texas was covered with clear shellac to protect the design. Bracelet 3 had an intricate 1950’s Mexican silver inlay from Juarez, but it didn’t have a famous maker’s mark. So far none of the bracelets had much value.

My parents purchased the 1953 Queen Elizabeth II coronation charm bracelet (far right) at royal warranted jewelers Bentley & Skinner in London.  The original sterling silver charm bracelet included 2 miniature books with photos of the Royal Family and London Views, 1 rhinestone embedded coronation chair, 2 coronation crowns (1 plain and 1 enameled), 1 enameled bobby (policeman), and 1 enameled guard. The other charms (2 German shields showing the Rhine River and Neuschwanstein Castle, 1 Dutch windmill, 1 Belgium globe, and 1 map of Ireland) were added during a summer trip to Europe. The bracelet’s appraised value was less than what it’s worth to me.

Victorian jewelry ©2014 Jillian Lark

The mid to late 19th century jewelry (above) belonged to my paternal great-grandparents and lacked makers’ marks. The loop and dangly earrings (bottom row) were made of base metals and had little monetary value. Victoria performed an extra test on my great-grandfather’s tie tack (top right). Unfortunately it wasn’t worth much either, because it contained multi-faceted glass and base metals. The wedding band (top left) was engraved with my paternal great-grandparents’ initials and the year of their marriage. After Victoria tested and weighed the ring, she confirmed it was made of 18-carat gold and assessed its current market price. Again the collection’s value was less than it’s worth to me. (TIPS: Before you leave the table, be certain you have all your items and materials and thank the appraiser, too. The next person in line will move up, and you won’t be allowed to return.)

After the jewelry appraisals, . . . TO BE CONTINUED.

Jillian’s Note: Please return for The PBS Antiques Roadshow Part 3: In Front of the Cameras on Sept. 22nd or click here to follow this blog.

 

The PBS Antiques Roadshow Part 1: We’re Off to See the Appraisers! . . .

No Tornadoes, Just Tickets and Preparation:

Last Spring I entered the online ticket lottery and won 2 admission tickets, which I received in the mail a month before the weekend event. My friend Linda wanted to come and offered to get appraisals on some of my family treasures. I photographed and researched the heirlooms before selecting what I wanted to take. (TIP: If you have heavy or breakable items, wrap and bring them in wheeled luggage or carts.)

PBS Antique Roadshow admission ticket photo @2014 Jillian Lark

Antiques Roadshow admission ticket ©2014 Jillian Lark

Each person could bring 2 items or collections. I printed out the history and questions for 11 objects in case the appraisers determined some of them were collections. I also prioritized which 2 items each of us should have appraised if none of the objects were considered collections. We discussed the details on the way to the local convention center. (TIPS: Review the advice and Q&A sections on the PBS Antiques Roadshow site http://www.pbs.org/wgbh/roadshow/ . The appraisers aren’t allowed to help you choose items, so have realistic expectations. Most family heirlooms have sentimental rather than monetary value. Research the objects and have a flexible individual item / collection strategy. Bring pens plus printed information and questions about the materials, makers, dates, restoration needs and costs, and original / current values of each item.)

We’re Not in Kansas Anymore (The Arrival and Appraisal Areas):

Even though Linda and I were there 30 minutes early, the volunteers admitted us without delay and gave us a free event guide with maps, appraiser lists, photos, etc. We stood near the front of the roped off 9:00 a.m. line, and a volunteer brought us the last folding chairs not used to support the ropes. By coincidence our friend Carolyn and her husband Jim got in line behind us, so we visited and shared information about our items. The line soon tripled in size. (TIPS: Wait times vary. You might want to attach lightweight, portable chairs to your wheeled luggage or cart.)

Follow the Volunteers, Not the Yellow Brick Road:

About fifteen minutes later, volunteers directed us toward 4 tables and instructed us to heed the warning signs. (TIPS: Even though the Antiques Roadshow website promotion encourages you to make and post photos and videos about your visit, you aren’t allowed to photograph or film except at the Feedback Booth after you leave the appraisal areas. You are also required to turn off and put away your cell phones and cameras.)

Antiques Roadshow collection and jewelry tickets ©2014 Jillian Lark

Antiques Roadshow collection and jewelry tickets ©2014 Jillian Lark


The Guardians of the Gate (Preliminary Appraisals)
:

At this point we briefly waited to show our items to an appraiser who classified the items and decided whether they were a collection or not. Luckily my appraiser agreed that the bracelets were a collection, and my grandparents’ jewelry was another collection. The appraiser attached 2 blue collection tickets to 2 orange tickets for the jewelry line and handed them to me. Linda’s appraiser eliminated the Disney watch (considered to be a collector’s item), so she gave Linda 2 individual watch item tickets.

Volunteers allowed us to enter the main appraisal area and ushered us to separate labeled lines. I could see Linda, but her line was shorter than mine. Soon she disappeared behind the curtained area. Since there were 20 people ahead of me, I talked to the ones next to me. We took turns saving places whenever someone wanted to take a nearby restroom or water break.

After 40 minutes, a volunteer counted off the next 10 people in line and led us behind the curtain. TO BE CONTINUED.

Jillian’s Note: Please return for The PBS Antiques Roadshow Part 2: Behind the Curtain on Sept. 15th or click here to follow this blog.

 

 

 

Masquerade Celebrations: Victorian Style

Were 19th century masked balls similar to the revelry of Mardi Gras? You be the judge.

masqueradeAt the Masquerade by Charles Hermans (1839-1924)

From 1842 to 1851, Queen Victoria hosted three masked or costumed balls, which inspired Society to continue the tradition of wearing costumes. Wealthy Victorians attended bal masques and posed for “fancy-portraits” dressed as popular or historical figures.

In Twice Round the Clock: Or, the Hours of the Day and Night in London (1862), George Augusta Sala described masquerades as “very expensive.” A gentleman might spend as much as £10 for tickets, costumes or evening dress, supper, wine, champagne, bouquet, and assorted refreshments for his companion and himself. That amount would be the equivalent of $868 in U.S. currency today.

Newspapers reported the antics occurring at masquerades. In 1864 The Times detailed the trial of Mr. Caldwell, proprietor of the Assembly Rooms on Dean Street. He was fined for holding two simultaneous masked balls, one for respectable persons and the other not. Police observed about thirty known prostitutes at the latter. The Marquess de Lusignan became a topic of gossip when the electric apparatus hidden in his “Rigoletto” costume hump malfunctioned at a masquerade in 1885. After shaking hands and shocking other guests, the wires leading to his feet and hands tangled causing him to jerk wildly and collapse to the floor from the electric jolt. Despite rampant reports of orgies and other degenerate behaviors, one New York sociologist declared that masked balls were “dull affairs.” After most guests left around midnight, the only people who remained were management, catering staff, and drunks being removed by policemen.

SOURCES:

Queen Victoria: A Biographical Companion by Helen Rappaport
http://books.google.com/books?id=NLGhimIiFPoC&pg=PA113&lpg=PA113&dq=queen+victoria+masked+

National Portrait Gallery post “Victorian Masquerade”
http://www.npg.org.uk/whatson/display/2012/victorian-masquerade.php

Twice Round the Clock: Or, the Hours of the Day and Night in London by George Augusta Sala
https://archive.org/stream/twiceroundclocko00sala/twiceroundclocko00sala_djvu.txt

The Times, London, 31 December 1864 excerpt at the Dictionary of Victorian London
http://www.victorianlondon.org/index-2012.htm

Edinburgh Evening News Edinburgh, Midlothian, Scotland 30 April 1885
http://search.findmypast.ie/search/british-newspapers?date=1885-04-01&date_offsetdate=1885-04-30&o=date&page=7

New York Times Feb. 27, 1885
http://query.nytimes.com/mem/archive-free/pdf?res=F30F17F73F5B10738DDDAE0A94DA405B8584F0D3

RELATED POST:

Children’s Birthday Celebrations: Victorian Style

Victorians’ Secrets: Handkerchiefs, Napkins, and Silverware

Did you know these everyday objects facilitated communication between enamored couples during the 19th and early 20th century? Next time you watch Downton Abbey or another period drama, see if you can spot any of the signals below.

napkins_1
Euphemia White Van Rensselaer by George Haley (1842)

HANDKERCHIEF SIGNALS:

Right cheek = Yes

Left cheek = No

Across lips = flirting

Twist left = not interested or go away

Twist right = thinking of you

Wind around 3rd finger left hand = married

Forefinger wind = engaged

dinnerparty
The Dinner Party by Sir Henry Cole (1808-1882)

NAPKIN SIGNALS:

Drawing napkin through the hand = I desire to converse by signal with you.

Holding napkin by the corners = Is it agreeable?

Using three fingers to hold napkin = Yes

SILVERWARE SIGNALS:

Playing with fork = I have something to tell you.

Holding up knife and fork (one in each hand) = When can I see you?

Laying both fork and knife to left of plate = After the meal

Clenching fork or knife with right hand on table = Yes

LINK:

The Mystery of Love, Courtship, and Marriage Explained (1890) by Henry J. Wehman
https://archive.org/details/TheMysteryOfLoveCourtshipAndMarriageExplained

RELATED POSTS:

Victorians’ Secrets: The Love Letter
http://jillianlark.com/tag/love-letters/

Victorians’ Secrets: Tussie-Mussies and Sweetheart Flower Clocks
http://jillianlark.com/tag/tussie-mussies/

Victorians’ Secrets: Fans
http://jillianlark.com/2014/02/04/victorians-secrets-fans/

Victorians’ Secrets: Fans

In the 19th century fans were not only a beautiful accessory or a means to cool off. Women often expressed their amorous feelings and arranged clandestine meetings through a series of signals. Can you interpret the following five responses to suitors?

a_fan
A. Finger to the tip of a fan
b_fan
B. Right hand, right cheek
c_fan
C. Left hand, left cheek
d_fan
D. Open fan wide near face
e_fan
E. Open fan near heart

ANSWERS:
A. I wish to speak with you.
Jeune élégante a l’éventail by Fernand Toussaint  (1873-1956)

B.  Yes
Woman with a Fan by Hamilton Hamilton (19th century)

C.  No
At the Ball by Berthe Morisot (1875)

D.  Wait for me or follow me.
The Loge by Mary Cassatt (1880)

E. You have won my love.
At the Theater by Mary Cassatt (1879)

Which signal(s) proved the hardest to decipher?

LINKS:

Donna MacMeans’ post “The Secret Language of Fans”
http://www.donnamacmeans.com/the-secret-language-of-fans/

The Mysteries of Love, Courtship, and Marriage (1890) by Henry J. Wehman
https://archive.org/details/TheMysteryOfLoveCourtshipAndMarriageExplained

RELATED POSTS:

Victorians’ Secrets: The Love Letter
http://jillianlark.com/tag/love-letters/

Victorians’ Secrets: Tussie-Mussies and Sweetheart Flower Clocks
http://jillianlark.com/tag/tussie-mussies/

FUTURE POST: Victorians’ Secrets: Handkerchiefs, Napkins, and Silverware
click here to follow blog

The Faces of Sherlock Holmes Part II: The Victorian Stage Actors

Long before Robert Downey, Jr., Benedict Cumberbatch, and Jonny Lee Miller assumed the Sherlock persona, Victorian Charles Brookfield became the first professional stage actor to portray Holmes. Wearing dark tights and a short cape, Brookfield appeared in Under the Clock, an 1893 musical parody of the sleuth’s adventures written by Seymour Hicks.

724px-Lottie_Venne_and_Charles_Brookfield1892 caricature of Charles Brookfield and co-star
Lottie Venne from Oscar Wilde’s Lady Windermere’s Fan

 

The Scottish playwright Charles Rogers claimed an established copyright due to an 1892 performance of his play. In 1894 Roger’s Sherlock Holmes, The Private Detective opened in Glasgow with John Webb in the starring role. Several years later American actor William Gillette collaborated with Sir Arthur Conaan-Doyle and producer Charles Frohman to bring Doyle’s stories to the stage. Charles Rogers’ heirs sued but failed to stop the production.

In 1899 William Gillette performed as Sherlock Holmes for the first of over one thousand times. He became famous for his portrayal and two iconic elements, shortening a line to “Elementary, my dear Watson” and using a curved pipe as a stage prop.

394px-Gillette_as_SH_2
1899 Willliam Gillette

Related post:

The Face of Sherlock Holmes Part I: The Victorian Illustrators

Who are your favorite Sherlock Holmes actors? Why?

The Face of Sherlock Holmes Part I: The Victorian Illustrators

Which 19th century sketch depicts the famous fictional detective?

 sherlock3
H
 sherlock5
O
 sherlock4
L
 sherlock2
M
 sherlock6
E
sherlock1
S

If you guessed all the images, you are correct. Although many Victorian era artists sketched Sherlock for publications, only six illustrators are featured above.

H. 1887 by David Henry Friston from the first story edition of a “Study in Scarlet”

O. 1888 by Charles A. Doyle, Arthur Conaan-Doyle’s father, from the first book edition

L.  1890 by Charles Kerr from “The Sign of Four”

M. 1891 by George Hutchinson from the second edition “Study in Scarlet”

E. 1893 by Sidney Paget from “The Greek Interpreter”

S. 1894 by unknown artist from the First American edition of Memoirs of Sherlock Holmes by A.L. Burt Publishing Company

Sidney Paget emerged as the Victorian illustrator who most influenced the public image of Sherlock Holmes. He created over 350 sketches of the fictional detective and first added two details never described by Arthur Conaan-Doyle. The deerstalker cap and Inverness cape.

Bosc-011891 Sidney Paget illustration from “The Boscombe Valley Mystery”

A complete set of Paget’s illustrated issues for The Strand is extremely rare and valuable. His original drawing of the image below sold for $220,800.00 in 2004.

409px-Holmes_reichenbach
1893 Sidney Paget illustration from “The Final Problem”

~~~~~~~~~~~

Future post:

Jan. 21st  The Face of Sherlock Holmes Part II: The Victorian Actors

Click to follow this blog.

Which Victorian illustration of Sherlock Holmes do you prefer? Why?

Children’s Birthday Celebrations: Victorian Style

frith

The painting above depicts the birthday of the artist’s young daughter, Alice. Like other well-to-do families in the last half of the Victorian era, Frith and his relatives celebrated the occasion with a meal, music, games, and presents. However, British royalty hosted more elaborate festivities for their children.

huntslipper

According to 19th century newspapers Princess Louise, the eldest daughter of the Prince of Wales and granddaughter of Queen Victoria, celebrated her fifteenth birthday at a party with one hundred guests. The entertainments included costumed singers, a magician, minstrel troupes, and tricks by a lady riding a tricycle. The children play old-fashioned games such as Hunt the Ring, Fox and Hounds, Post, and Hunt the Slipper. After a rambunctious game of musical chairs, each of the children dipped their hands in two large bran pies to retrieve a present.

circus elephant

At the seventeenth birthay party of Princess Louise’s sister, Victoria, an elephant entertained the guests. Little Jumbo performed his Oxford Music Hall act in which he walked on champagne bottles, rang for dinner, balanced on a globe, navigated a tightrope, played musical instruments, and tipped his hat in farewell.

What’s your favorite kind of birthday celebration?

Capturing a Royal Baby Christening Then and Now

christening

In 1841 Charles Robert Leslie wrote to Lord Melbourne requesting permission to paint the christening of Queen Victoria’s first child. After reading Leslie’s letter, the Queen agreed that Leslie could make a quick sketch at the christening.

For months after the ceremony, Leslie studied the Princess Royal, the Queen, and attendees except the Queen Dowager who was ill. One year later the painting was still unfinished. When the King of the Belgians finally received a print impression in 1849, he remarked that the likenesses were unsuccessful.

Since the birth of William and Kate’s son on July 22nd, the media has speculated about who will capture the first image of Prince George at his christening in October. Hopefully the photo will elicit more favorable comments than Leslie’s painting. No pressure.

19th Century Women Travelers: Packing

railwaystation

As my fellow romance writers packed for RWA#13 in Atlanta this week, I wondered what Victorian women travelers took on their trips. Nellie Bly wore a two-piece suit with an overcoat and a cap and carried one small bag containing writing and toiletry necessities.

Nellie_Bly

In contrast, experienced 19th century traveler and writer, Lillias Campbell Davidson, had a list of must-haves such as eau de toilette, smelling salts, a small flask of brandy, and an ivory glove stretcher.

gloves

In Hints to Lady Traveller: At Home and Abroad (1889), Miss Davidson also

suggested foot-warmers, well-stuffed feather cushions, a medicine chest, and travel rugs. Since she ventured into more remote areas, she insisted on bringing one item my fellow romance writers should be glad they didn’t have to pack. A portable bathtub.

bathtub

I don’t travel quite as lightly as Nellie Bly, but I only use one rolling carry-on and a tote bag.

How many bags do you take on trips?

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